McKinney Falls – Limestone Moonscape

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I went to McKinney Falls, a state park, for the first time last weekend. We’d intended to go to the Austin Kite Festival, but the crazy line of cars waiting to get into the parking garage to then let us join the giant line to wait for a shuttle to then wait in traffic to get to the park… you get the idea. Basically that line scared us off, so we decided to just go to a state park. The limestone all worn away over the years by erosion has formed some unusual shapes, including seemingly perfect circles. As a trained geographer, I feel compelled to inform you that this is called “karst topography.” It really resembled a moonscape, if the moon had cacti and dogs.

Wedges in the Wilderness

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I spent a few hours today looking at photos of national parks, longing to walk among tall evergreens in awe-inspiring valleys and on grand sweeping high ranges.  I’m not usually a very outdoorsy person, at least not in a Texas sort of way.  Here, it’s so hot outside most of the year that me and outdoors just don’t match.  But looking at the beauty of our national parks had me thinking about hiking, which I do enjoy, especially in cooler places that aren’t Texas…  As shoes are never far off in my mind, hiking boots came to mind.  I wondered recently whether there are stylish hiking boots.  They seem to all be rather similar.   There is certainly a “typical hiking boot,” but since I like every piece of clothing (especially footwear) to reflect my individual style, I wondered what kind of hiking boot out there could represent me.

Charles by Diesel

Liason by Diesel (black wash)

With hiking in the back of my mind, I felt drawn to the functional, almost blue collar-influences visible in all of these shoes by Diesel.  I see stylistic elements of hiking, biker boots, broken in jeans perhaps worn by a craftsman.  Now, while I wouldn’t recommend climbing the Grand Tetons in any of these high elevation beauties, they did reflect something unpolished and wild to me.  The pair Charles show the clearest hiking boot influences with the two-tone laces, fur accent and D-ring eyelets.

I have to say, I absolutely adore the mini jeans look of the Liason styles.  I associate jeans with my father, who is a carpenter and has probably worn jeans nearly every day of his life.  Thus the handyman association of these makes them all the more charming to me, not to mention they are wedges, which I am currently obsessed with.  Check out the third photo for details of the details in the denim.  Tiny pockets, small version of the waistband, a creative approach to branding.  What’s not to love?  Now can they be a functional member of any wardrobe?  Probably not, but they’ve perfectly married the two essences of this post: versatile, comfortable outdoor footwear and towering dressed down heels.

Liason by Diesel

The cowboy boot meets motorcycle boot Nels exceeds the simple stylistic staples of both by transforming them into something new with a loose, green wash denim upper and thick stacked heel.  These are about details.  Check out the triple stitching on the platform.

Nels by Diesel

Evoking Outerwear

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BB Dakota Bostwick Coat

I. Love. Coats.

A simple fact.  I’ve been stalking the immense collection of Top Shop outerwear for a good 6 years now.  I can’t get enough of funnel neck collars, deep lappels, ruched sleeves, side pockets, tweed wool blends, sculpted hoods, empire silhouettes and wooden toggles.  I simply adore it all.  The better the tailoring, the more I love it.

Outerwear speaks to me of a particular mood.  I probably feel the same way about winter clothing that someone who longs for sandy beaches and sun dappled waters feels about bikinis and breezy sleeveless shirts.  (none of which do I care much for)  I, instead, long for the high, thick collars and soft scarves of fall and the tall boots and heavy cocoon-like coats of winter.  I enjoy arriving at my destination to then shed my often monochromatic layers to emerge a more colorful and sometimes surprisingly dressed up person.  It’s part of the fun.  It could be all business or dance party tucked inside someone’s coat.  And you’d never know it. 

It’s also somewhat of a challenge to maintain individual style in the winter, when we mostly don the same coat and maybe switch bewtween just a few different pairs of boots every day.  I enjoy the challenge.  There are small details in accessory choices or highlights in stitching that I think can pop more and make a grander statement because of the lack of options and flexibility to express yourself.  Suddenly a bright color in a scarf, a new oxblood colored satchel, uniquely patterned knit tights, or a sparkly pair of earings become the focal point of expression that style hinges on.  I tend not to like busy patterns, so the stripped down means of expression allotted by winter wear suits me nicely.

Ans so finding a pretty small brand recently that has been selling to a few big name stores like Mod Cloth and Urban Outfitters and who specializes in coats and jackets made me really happy.  Meet BB Dakota part of the Dakota Collective.  BB Dakota has some great, cohesive style on offer.  I wasn’t all that surprised to realize that the two coats I adored on different websites (Urban and Mod Cloth) were actually from the same designer.  Peruse their line.  It’s a mother daughter duo, which is pretty cool.

Let me tell you why I love this coat.  Well, firstly, just look at it.  I enjoy the flexibility of the silhouette.  Form fitting versus draped.  I like the variation in length, the geometric pattern, and the unusual absent collar/hood.  It’s a very different sort of coat than you typically see on the street, but it’s not so unusual that it wouldn’t fit well in most wardrobes.  As a big fan of grey, black and blue in my wardrobe and geometric patterns, I’m completely biased.  But that aside, I think there is something classic yet new about this one.  They seem to be good at that, over at Dakota Collective.  I look forward to keeping up with their collections in the future, and of course, expanding my winter clothing collection in the process.

Changing Our Training Models

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NPR.org » Apprenticeships May Solve Skills Gap, Spark Economy Interview with IDEO CEO

Sure, advanced degrees can be really valuable. But there are some professions where a worker would be better served through a blend of mentorship and training than a degree. And that way you would know exactly what kind of work you would be doing, and employers would know if the person they want to hire has the skills and work ethic they need.

How To Build an Interaction Designer

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We’re all annoyed by things that don’t work.  Every article, blog post or book chapter about good design out there seems to start with examples of bad design.  In fact, Donald Norman’s very famous book, The Design of Everyday Things, which I’m currently reading, is essentially the picking apart of the failures and weaknesses of everyday things’ designs.  I’ve been thinking lately about what first made me interested in Interaction Design.  Was it my frustration at all the poorly designed things?  The desire to make them better?  In all honesty, I was interested in it long before it had a name to associate it with.  I think everyone has a little interest in it, whether they know it or not.  But, perhaps the motivation or the reason that certain people actually want to shape the design from an interaction stand point, rather than participate as a user, is some desire to prevent these design follies or some belief that one has the power, knowledge, or imagination to anticipate, sight, and prevent designs from coming up short.  I think you have to be a bit of a visionary or fancy yourself something like that.  Maybe you don’t feel like you’re really that creative but you understand people and the depths of functionality.  Or maybe you’re really into coding and software engineering, but value the feedback from users equally.  There’s something about Interaction Design that makes me feel it isn’t merely driven by the desire to make things work better or to make beautiful things that function pretty well.  It seems to delve deeper into the questions of “why?” and “how?”  It’s, ideally, the pursuit of an intuitive functionality that, being inherently designed for the specific or general users as applicable, can’t help but also be simple, clear and beautiful.

But maybe I’m wrong.  Maybe I have this idea in my head that this is what interaction design is.  I think one thing I can say for the job I have now is that it’s taught me that very often, what you expect to be doing day-to-day in a particular position, based on your previous knowledge, is complete rubbish.  There’s only so much that can be garnered from job postings.  I don’t know how anyone can ever be sure they will really love a job or fit in just by reading a posting and having one hour of interviewing.  Certainly visiting the office helps, by showing the interviewee what that work environment looks like and how people dress, but that is about it.  However, that is another topic.

Mostly, I’m thinking about my motivations and my passions.  The things I expect will stick around with me throughout my life, and then I’m trying to match them to my proposed professional future to see if they line up.  It’s always tough to tell in your own mind, with your own loud and quiet thoughts, whether you’re really doing something because you want to or because you think you should.  Without the pushy parents of some of my peers to drive me on toward specific things, I’ve been fairly self-steered, if a little naïvely at times.  But we all have our own little mini-parents in our heads telling us that this particular road might be very nice because it will let us pay off our loans quickly, while an opposing side tells us to just drop everything and move to Europe, where I know I want to be, and give it my all to make it work.  Practical?  Who can say?  There’s only one way to find out…

Things I’ve liked for a really long (“long” in my youthful perspective of “time”, that is) time:

Music

Architecture (Lloyd-Wright, Rennie Mackintosh, Le Corbusier, Art Deco, etc.)

High and unique fashion

Design [intentional and unintentional] (as seen in interior design, systems like public transit, cars, websites, logos, nature, symmetry)

Studying languages (Studied French 5 years, Czech 2 years and Swedish off and on 3 years)

Society (majored in geography and sociology)

Exploring new places (long list of places I’d like to see)

Astronomy (nothing too advanced in the physics department, please, but a little chemistry is ok)

Reading (humorous fiction mostly)

The brain (why it does what it does and how)

Do these fit together to make an Interaction Designer?

(Not that you have to incorporate all of your interests into your career.  That’s what hobbies are for.)

Update:

I had to share this strange little Interaction Design-themed problem.  Evidently, WordPress thinks I “liked” this very blog post, my own blog post, which I honestly did not do.  However, it doesn’t really matter if I did or didn’t do it.  The real problem is that once I noticed that somehow I’d “liked” my own post, there was no way to undo it.  So not only is the functionality hindered in the first place, but either a) wordpress made a mistake and thought I (the user) did something I did not or b) it is possible for a user to do something when posting that they have no idea they are doing (ie. clicking “like” somehow).  Either way, that’s a pretty significant issue when dozens of people are flocking to the forums looking for a function to remove this seemingly narcissistic, yet accidental, “like,” lest any readers take them to be full of it.

Architecture of a Shoe

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Jeffrey Campbell Benched platform oxford from Solestruck.com

I have been inspired, as of late, to discuss my appreciation of Jeffrey Campbell’s innovative, sometimes sculptured, sometimes strange, shoe designs.  Thinking about his trademark platforms, I suddenly found myself drifting back to my childhood.

Jeffrey Campbell Safety platform from Solestruck.com

When I was in fifth or sixth grade, I became engrossed with drawing shoes.  It was about the same time that the Spice Girls brought platforms back into every day fashion.  Yes, I’m aware, that dates me a bit, but the main thing is that I started drawing shoes, mostly crazy platforms, during class and showing them to my classmates.  It became a sudden fad.  Before I knew it, everyone was trying to invent new, funky shoes.  I remember it as a short-lived period of flurried drawings and minor competitions.  Then one day, we had a real contest, informally organized of course, by me and my classmates.  I don’t recall whose idea it was, but before I knew it, I was sitting at home working on my drawing for the contest.  I worked very hard.  I had already drawn dozens of shoes, but this one, a multi-layer, graduated platform heel, was, I thought, my most ambitious one yet.  I was confident I would win.  I’d started the whole drawing fad, after all.  We had the contest, and I got second.  I was devastated.  But until this day, I still think that I wasn’t awarded first place because my friends didn’t want the fad starter to get all the glory.  That was arguably the only fad I ever started, and while it’s hard being objective and memory can be elusive, I still do not think a shoe design with an actual spike heel could possibly be the “best” design.  It was no accident that the two most popular girls in the class made that particular design.

With that little flashback, I remembered what it was to ponder new, yet, functional shoe designs.  Here I was, a child who’d never worn heels, drawing towering platforms.  Perhaps it’s not so different from a man designing women’s shoes, and designing them very well.

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